She uses materials that have a life of their own such as clay, paper, and fiber, with her 3D pen creations. Anela recently completed a year as an artist in residence at the Arrowmont School of Arts and Crafts. She will be traveling to Malaysia as a School of Museum of Fine Arts at Tufts University Traveling Fellow in 2023.

Finding Artistic Inspiration

Anela relies on her imagination and also draws from the resources around us to inspire her creativity.

“For me, I draw strength to move through the world from my identity as mixed race-Malaysian-Chinese, lessons from the natural world, and people close to me who have passed on,” said Anela.

In this piece, Anela uses the 3Doodler 3D pen to speak to Malaysian batik, a lost wax process where wax is painted or stamped on fabric and then dyed. She also incorporated a plant from both sides of her mixed-race heritage: okra. It’s a plant that Anela believes both her white Southern family members and her Malaysian-Chinese members would have intimately known through food.

“A huge part of using vibrant colors for me is being unapologetic in taking up space,” said Anela. “As an Asian American you are often viewed and shaped by culture to be as small and unobtrusive as possible.”

The bright color in this piece represents reclaiming spaces as an active agent in the world. The colors draw from the traditional Malaysian dress she grew up with and family members who wore such patterns and colors as batik sarongs.

Surprising Ways with Mixed Media

“As an artist who is mixed race dealing with world building I believe it is important that my work reflects a meeting of materials, soft fiber and hard filament or ceramic meeting in ways that create beautiful complexity,” said Anela. “This interdisciplinary approach reflects the strength and commonalities between the different worlds I inhabit every day.”

She started this project using the 3Doodler Pro+ to draw the central okra stalk element and the other floral patterns. She continues to create until she has enough in varying colors and styles to lay out the design. Next, she begins the papermaking processes to transform the PLA drawings.

“I work with a fiber called overbeaten abaca which is a plant fiber that I beat for 8 hours in a machine called a hollander beater,” said Anela. “I use it because it is extremely strong and connects seamlessly to the 3Doodler drawings.”

She used a papermaking tool called a deckle box to “pull” the sheet using the unpigmented abaca to create the base sheet of paper. Then, she dips each 3D drawing into a pigmented abaca container before placing it on the base sheet. Finally, she removes the abaca base sheet once the 3Doodler designs are placed.

Experimenting & Creating in 3D

During her undergraduate program, Anela used the 3Doodler Pro+ in a metals class and fell in love with the process. The objective was to use the 3D pens to think through modeling before casting. Anela found herself making rings and other jewelry directly with the pen and ABS material.

“I found it very accessible to start working very creatively,” said Anela. “I was building three dimensional forms, flat forms and building them up, and ended up making forms combining those ways of working with the pen that were used in my thesis show.”

She explains that it’s essential to use materials that spark excitement. Trying out new materials encourages the imagination. A new technique may transform an artistic approach.

“I think a huge part of any artistic practice is joy and experimentation,” said Anela. “When you integrate different materials it provides endless problem solving and opportunity to play with how the materials work together.”

Anela advises budding 3D artists to experiment and play. She finds that the more you experiment and add new tools and skills to your toolbelt, the more you will find the things that resonate.

“It took me quite some time to figure out how the 3Doodler Pro+ would function in my larger practice in a meaningful way,” she said. “Now, I’m working with clay in similar ways due to my experience with the 3Doodler pen. I can’t wait to see how all of this learning keeps expanding the relationships between my materials.”

The post Artist Spotlight: Anela Ming-Yue Oh first appeared on 3Doodler.

Disney’s live-action version of The Little Mermaid will be out in theaters later this month. Hear how it inspired Connie and discover the techniques that enabled her to bring her vision to life!

Diving Into an Underwater World

Mermaids and mermen appeared in folklore with the upper body of a human and the tail of a fish. These mythical beings appeared in many different cultures and were considered magical creatures who loved music and often sang.

Early stories about merpeople suggested they brought harm to humans in the form of floods, shipwrecks, or other disasters. However, mermaid and mermen sightings exploded during the early 1500s as explorers took to the seas and made their way across the ocean.

In fact, as early explorers traveled through the Caribbean they claimed they saw mermaids. It was likely manatees that they were spotting in the ocean, but the legends continued.

In 1873, Hans Christian Anderson wrote The Little Mermaid as part of a collection of fairy tales for children. The story shares the journey of a young mermaid willing to exchange her life in the ocean to gain a human soul. Over the years, the tale was adapted to theater, film, ballet, and even opera. The most well-known adaptation is that of the animated Disney film that was released in 1989.

“I loved the character of Ariel. She’s such a curious, lively girl, who loves to explore, to learn new things, and expand her horizon,” said Connie. “What intrigued me the most, though, was that beautiful underwater world. It was a completely new world to me, as was ours to Ariel.”

3D Design Process Explained

In sketching this latest project, Connie explains that her drawings continue to evolve throughout the project, and the final design may differ slightly from the original sketch. The next time you sketch, consider using a 3D pen to create a scene or add detail to a particular project.

“Once I start, the ideas start to flow,” said Connie. “As you draw one thing, another crosses your mind, but it doesn’t quite fit with what you’re sketching at the moment. Then, there’s a second idea, and so on.”

She explains that creating is an ever-evolving and living process. Sketching is an essential part of the process. Connie describes it as taking notes and putting them into a picture. That picture quickly becomes a 3D design as the process unfolds.

Connie draws from various angles to help in her three-dimensional planning. This process enables her to firm up the design’s dimensions, proportions, and details.

“The result is often a mixture of different ideas, but seldom just one specific sketch I made previously,” said Connie. “Even though the sketch is important to the design process it doesn’t determine the final result. It mostly serves as a visual note.”

Surprising Details & Techniques

Connie admits that creating something truly unique can take time and patience. Some elements, like the scales, were planned, prepared, and applied. But others, like the pearls and bubbles, were added as a finishing touch.

“The result is so rewarding,” she says. “I love the light reflecting on the multi-colored scales. I like the varying hair color. The details breathe life into things.”

A surprising material created the look of the skin on this mermaid. Connie used wood filament to make the skin and body. She doodled the pieces and then used the flattening tip to smooth them and create an even surface.

“Wood is such a good filament for sculpting,” said Connie. “If you use the angled tip, you can carve into the filament, as I did for lips and eyes. If you want to speed up the process, change the setting from PLA or Wood to ABS. It makes a big difference, but you need to be careful not to press too hard or the filament will melt away.”

Regarding the new live-action Little Mermaid, Connie is excited to see how Ariel’s sidekicks and the underwater kingdom come to life on screen.

“I’m really interested in all aspects of the story,” says Connie. “I’m mesmerized by modern film technology and enjoy seeing what artists are capable of creating. Entire new worlds to literally dive into!”

The post Dive Under the Sea with a 3D Pen Mermaid first appeared on 3Doodler.

3Doodler took inspiration from this art form in our latest collaboration with artist Ricardo Martinez. Creating this street art design, Ricardo took inspiration from 3D glasses, engraving, and a late Mexican artist.

3D Glasses & Pop-Culture

Ricardo admits that inspiration for his latest piece initially took a lot of work to find. Although the ideas were there, they took time to coalesce into a design.

“I knew I wanted to create an anaglyph. I kept thinking about 3D glasses that had one red and one blue lens,” said Ricardo. “The images were layers and when you viewed them through the glasses, your perception would change making the image pop off the page or the screen.”

Joseph D’Almeida experimented with anaglyphs, a Greek term meaning again and sculpture, in the 1850s and is often credited with inventing a new way to view 3D. Anaglyph uses a motion or still picture in which two composite images, usually one red and one blue, are superposed one over the other to produce a three-dimensional effect when viewed through correspondingly colored glasses.

The Power of Love, released in 1922, was the first movie to use anaglyph technology and require the audience to wear 3D glasses. It grew in popularity, and more films were released in the 1950s. One of the more well-known films of the time was Creature From The Black Lagoon in 1954.

A more current example of the technique that Ricardo referenced is this Daily Motion video that shows street mural art with two designs in one, depending on how you view it.

Late Mexican Artist Inspires Modern Design

Despite having chosen his technique, Ricardo struggled to find inspiration for the piece itself. As he attempted different designs, nothing looked quite right. Ricardo wanted to create a transparent image with plexiglass panels. He started with a heart, but the idea refused to take shape.

Ricardo looked for a piece of art or another idea to inspire his design. He decided to focus on a Mexican artist he greatly admired, Saturino Herrán. Born in Aguascalientes, Mexico, on July 9, 1887, Herrán attended the Academy of San Carlos in 1904. His artistic career flourished from 1912-1914, inspiring the Mexican modernist movement.

“I’ve always admired Herran’s figurative art,” said Ricardo. “He is not really well known and I wanted to pay tribute to him using new technology. It felt especially powerful given I’m working with a drawing that is easily 100 years old and reviving it in a modern way.”

The work that inspired Ricardo is an unnamed illustration that Herran drew for Pegaso magazine in 1917. Herrán’s more famous works include Our Ancient Gods, which celebrates the strength, dignity, and beauty of the indigenous people who are part of Mexico’s history. Through this painting and several others, Herrán established himself as a champion of indigenismo, a movement to elevate and show respect for Indigenous people and their culture.

Creating Street Art

Now that Ricardo had his idea for the drawing and the technique he would use, he was ready to create. First, Ricardo would trace the sketch and then use his artistic design elements to fill in the back of the portrait.

“What many people don’t realize is that with a 3Doodler 3D pen, you don’t have to be a great artist or designer to create something beautiful,” said Ricardo. “You can find inspiration in drawing or sketches you see and use a DoodlePad to trace them and create art.”

The bright pink and blue palettes he used were classic street art shades. The final design is something that Ricardo is pleased to share.

“When you have an idea, you should see it through to the end. As I was working on this piece, I wasn’t happy with it at all. I even stopped at one point as it just wasn’t making sense,” said Ricardo. “Seeing it through to the end paid off as I was able to realize my initial vision.”

Ricardo’s advice to other artists is to stick with it.

“Even if the skills aren’t there, you can trace. Do whatever you can to produce something and your own style will start to emerge as you put pen to paper,” said Ricardo.

The post Finding Inspiration Through Street Art, 3D Glasses, and a Mexican Artist first appeared on 3Doodler.

Established in 1961 by the Art & Creative Materials Institute (ACMI), the creators sought to emphasize the value children derive from art education. Today Youth Art Month is coordinated nationally by the Council for Art Education (CFAE).

3Doodler is delighted to support the visual arts and inspire young creators to use their imagination and bring their ideas to life. Explore Youth Art Month activities and learn how to engage with 3Doodler’s community to celebrate the visual arts!

New York Youth Art Month Poster

Your Art, Your Voice

This year participants will recognize the month through the theme “Your Art, Your Voice.” In addition, participating states host various activities, from a state flag design contest, local and state Youth Art Month proclamations, and art shows at state capitals and legislative buildings.

The celebration is intended to bring attention to visual art’s value in developing critical thinking skills, raising multicultural awareness, and encouraging technical, communication, and expression skills.

The Texas Art Education Association kicks off Youth Art Month with a Big Art Day, where grades K-12 participate in art events across the state. Big Art Day will take place on March 2, 2023, featuring 1,000 art activities.

In Illinois, students participate in a statewide art show hosted by the Illinois Art Education Association. The submissions are reviewed by a panel of judges who select 45 participants to feature in a statewide slide show that travels across the state.

Visit the Council for Art Education to learn more about Youth Art Month events and activities in your state.

Inspiring Young Artists

3Doodler looks to inspire young artists in the classroom and at home through lessons, projects, stencils, tutorials, and more. All these resources are readily available in the 3Doodler resource library and the 3Doodler App.

The 3Doodler App is a great way to encourage budding artists to expand their ability to draw and create in 3D. Through the app, young artists will find stencils, tutorials, and other art prompts to jumpstart their creativity. Plus, they can share their latest doodle creations with the community via an online gallery. The photos featured are from Doodlers like you. In addition, fellow artists can comment on shared designs and offer support. It’s a fantastic way to build community and celebrate art.

Explore Your Creativity

Get started by creating one of the following projects to celebrate Youth Art Month!

Collage Display

Get Started

Action Figure

Get Started

Keepsake Box

Get Started

The post March is Youth Art Month first appeared on 3Doodler.

She’s a highly knowledgeable 3D pen art community member who shares her doodling tips freely. Connie’s design approach turns fantasy into reality. You’ve no doubt seen some of her incredible Doodles on our Instagram. In addition to the content she posts on her Instagram, she’s also shared some incredibly detailed and helpful tutorials on her YouTube channel that explore creative tips and tricks to test out with a 3D pen.

This week we’ve partnered with Connie to reimagine the Pisces symbol from an artist’s perspective. Learn how she designed the piece and explore her 3D pen art tips and tricks!

Finding Creative Freedom

As Connie explains it, designing in 3D offers her artistic freedom. She can create anything she can dream up. And, if she’s working on a project and doesn’t care for something or is struggling to get the exact look she wants, she finds the filament is easy to heat and remove to remold.

“Creating in 3D gives me infinite freedom. There’s just no limit,” said Connie. “You can draw lines into thin air if you like drawing, you can design pieces flat and assemble them if you’re into modeling and architecture, you can mix techniques, you can bend the filament pieces with hot air, you can smudge the filament with your pen’s nozzle, or you can bake and melt it into sheets. The creative possibilities are endless.”

Connie also likes to see where the process takes her. While designing, she never knows what might happen. So she takes every opportunity to try a new idea or test a new technique.

“I look forward to seeing where the experience will take me, and what I’ll discover next,” said Connie. “I love to delve into small things, try not to overlook things, and create pieces that give my audience many things to discover.”

Pisces Design Inspiration

Connie doesn’t follow zodiac signs closely, but she enjoys reading her horoscope from time to time. She’s an Aries and enjoys reading about the traits related to her sign to see if any match her personality, and some do.

“When I began working on the pisces piece, I looked up the astronomical sign and when I saw it was a fish I immediately had something colorful in mind,” said Connie. “I envisioned a fish with long fins, to show the floating, waving, weightlessness of those animals. I imagined them swimming in the air just like they do under water.”

Connie thought about using a coy or betta fish. When she was younger, she had a betta fish and was already familiar with it. Bettas also have long fins and come in a wide variety of colors. Connie knew she had a winner!

Aspiring Doodlers Take Note

Connie is a phenomenal 3D artist whose techniques and creativity inspire a community of Doodlers. Her suggestions for anyone looking to gain skills with a 3D pen are pretty simple.

“Work with the 3D pen. Seriously, if you browse my Instagram, I posted one of my first creations there, said Connie. “It was a clumsy little birdie, made with the first 3Doodler 3D pen. I was so extremely proud of it that day.”

Connie explains that working with hot filament and getting a feel for a 3D pen can be daunting. But, the more you work with it, the less afraid you will be about what could go wrong and the more intrigued you become to see what more you can do. She recommends starting small by picking something simple or something you can try to recreate.

“It’s really important to use the 3D pen,” said Connie. “The more you use it, the more comfortable you are with its shape in your hand, the way it functions, the filament and different filaments. You’ll gradually find the technique that suits you best.”

Once you become comfortable with the pen, Connie recommends trying the nozzle set. She used it for this project to create the fins and scales. Next, she attached the scales by melting them onto the body with the hot pen tip.

“For these fish, I used the angled nozzle to draw those ultra-thin, almost see-through fins, and the shiny scales,” said Connie. “The nozzle set is a great way to spice up your projects, if you find yourself looking for something new!”

As far as what to expect next from Connie, she’s happiest when experimenting and learning something new. In addition, she enjoys creating hyper-realistic pieces, like giant butterflies, and makes a nice piece of fan art now and then.

“Currently, I am working on detailed, monochrome pieces,” said Connie. “I’m mixing plants with animal traits and supersizing small things. My artistic style is always evolving as I learn new things.”

The post Artist Spotlight: Cornelia Kuglmeier first appeared on 3Doodler.

Each month, the 3Doodler team shares ideas and tutorials to help kick-start the design process. We were curious to see what our artist community would create with the same inspiration.

Last week, we explored the artistry of ice castles. 3Doodler shared a version that is easy to replicate with our free stencil and tutorial. This week, guest artist Ricardo Martinez (riikc) shared his version of an ice castle. See where he found his inspiration and how the sculpture came together.

Creating with riikc

Ricardo is a sculpture artist, painter, and photographer who explores a variety of materials and techniques in his work. Ricardo has extensive experience creating art with 3D pens and often shares his approach with the 3Doodler community.

Ricardo’s latest installation, Memento Vivere, gained worldwide attention as an interactive multi-disciplinary project using light, technology, and science to express an idea. This larger-than-life exhibit consists of a series of electroluminescent cables arranged in a skull structure that Ricardo designed with a 3D pen. The sectors of the installation light up as people interact with the display.

Ricardo lives in Brussels and travels extensively. He takes inspiration from nature, landscapes, geography, architecture, and much more. We were delighted to connect with him about his experience creating an ice castle in 3D.

3D Design Approach

Ricardo had an idea for this design and took inspiration from fantasy video games he’s played over the years, like Final Fantasy. From his home in Brussels, he looks at a large church with a castle-like appearance and eight pillars. Mixing these concepts, he began to sketch the design on paper.

“It seems like a different part of your brain kicks in and starts working as you start building,” said Ricardo. “The design evolves as you go. The castle resembles the sketch but evolved as I sculpted it in 3D.”

Ricardo used existing shapes to begin the sculpture and found it easy to keep adding material to get the form he wanted for the design. For example, he used a glass cylinder to create the pillars’ base. He could continue this process to get the length he wanted for the towers.

To design the castle, Ricardo used the 3Doodler PRO+ 3D pen and PLA, nylon, wood, and bronze filament.

“I love the smell of the wood while I’m creating. It makes me feel like I’m in a woodshop,” said Ricardo. “For this design, the wood and bronze add texture and stand in contrast to the rest of the design, which is the effect I was hoping to achieve.”

Advice for the Community

Ricardo is an experienced artist who shares his success tips freely to encourage others to pick up a pen, paintbrush, or other tool and begin creating.

“It’s important to share that you don’t need to create shapes out of thin air,” said Ricardo. “I recommend starting by using existing shapes. Then, you can find inspiration and doodle anything with objects around you.”

For new 3D pen artists, Ricardo recommends starting with a speed setting of three and gradually working up to faster settings. In this design, Ricardo found he could work effectively with a speed setting of seven or nine.

“I was impressed with the speed settings on the pen. It’s incredible how adjusting those settings can change things and make the experience much more enjoyable, given how quickly you can cover a large surface,” said Ricardo. “The PRO+ pen is much more comfortable and easier to use over long periods.”

Ricardo notes that the PRO+ makes it easier to swap materials and see what’s happening, which saves a great deal of time. He was especially pleased with how the wood detail came out on the ice castle and enjoyed adding contrast with different materials.

When working in bronze, Ricardo recommends keeping a bit of distance from the tip to the surface as the material smudges easily.

“Working in 3D evolves whatever idea you think you have, and it goes into many different directions that you can’t experience with just 2D drawing. It opens your mind to new possibilities and thinking in ways you’ve never thought before,” said Ricardo.

The post Artist Spotlight: Ricardo Martinez first appeared on 3Doodler.

As we head into a new year, 3Doodler will look to collaborate with artists, educators, and entrepreneurs to explore ways we elevate creativity. But, of course, it’s also important to inspire new creators. With that in mind, we’ll share accessible stencils, tutorials, and more to support budding artists.

Let’s take a quick look back to revisit the projects and artists who inspired you the most. Plus, we’ll share a quick project to jump-start creativity in 2023.

Dina Velikovskaya

Dina also shared a behind-the-scenes look at creating the film using a 3D pen. First, all the characters were created using a 2d digital drawn animation technique and then outlined with a 3D pen. The result was sets of flat filament figures. Next, the director filmed the figures frame by frame in a stop-motion set, along with wire objects.

Rick Martinez

Rick continues to push the boundaries of art and technology with his creative use of materials. Keep an eye out for a 3Doodler collaboration with Rick later this month!

Cornelia Kuglmeier

See more of Connie’s helpful tips and tutorials on her YouTube channel, where she shares loads of doodling advice.

Edwin Ramirez

Spark Creativity in 2023

Now that you’ve seen a small sample of our vibrant community, we invite you to make this your year of 3D creativity. Get started by creating a custom work of art for home using our go-to phrase. What will you create?

Get the Stencil

The post Celebrating Creators, Makers, Artists first appeared on 3Doodler.

Gather a group of family or friends to reflect on the year and gear up to make new memories in 2023. It’s always an excellent way to close out one year and start another. Depending on the size of the group, you can make a few fun props to share or customize one for each guest. Ring in the new year in style with 3D creations. Let’s go!

Party Hat

Make a Party Hat

Photo Booth Props

Create Photo Props

Goofy Glasses

Create Glasses

Cupcake Toppers

Create Glasses

Grace has been running 3D Pen Creation workshops for two years, so she knows all the best tips and tricks for beginners. She has gathered the top 10 most common questions she’s received since the beginning of her Doodling career, and answered them here.

1. How do I use a 3D Pen? What can I make with a 3Doodler?

There are three main ways to use a 3D pen like 3Doodler.

Use a 3D pen design Template or Stencil

This technique is great for beginners to draw flat designs. You can also use this technique to construct simple 3D shapes like a cube. Make 6 flat squares then join together to create the 3D shape. There are lots of 3Doodler stencils available for free online.

Using a Stencil

Freestyle Doodling

This involves drawing up into the air or building an object up by layering. This is one of the most common ways we’ve seen 3Doodler art being made. This technique can require a bit of practice as you’re using your eye to judge if it looks right.

Using Molds

This involves drawing over a pre-existing object, such as a salad bowl. The filament will set in that shape and can be removed when you’re done, or remain on the object. If it’s something like a bowl it can be done in one piece. If the shape is something like a ball, you can make the two halves and then join together afterwards. Something like a balloon can be drawn over and then deflated. This technique is used in my Lantern Lights video. There are some great canvas mold 3Doodler projects available, or you can use any household object as long as it’s covered in masking tape – even a smartphone!

For more 3Doodler tips and tricks, take a look at my Getting Started video.

2. Why is there a red light on my 3Doodler pen? What do the different light colors mean?

Don’t worry, the red light is totally normal and just means that the pen is heating up to the right temperature. When it’s ready to extrude filament, the red light will change to either blue or green. It’s important to have it on the right heat setting as each filament melts at a specific temperature. Blue for ABS and Flexy, and Green for PLA.

Many people are concerned about 3D pen safety. The 3Doodler pen has a great safety feature – if you’ve taken a short break, the pen will start to cool itself down. This means that the red light will come on again. Simply turn the pen off, and then on again, and it will automatically start warming up to the temperature you set it to.

3. Why is the filament not coming out of my 3Doodler 3D pen?

If your 3Doodler is not feeding, try giving the filament a gentle push into the pen (but make sure you have clicked either FAST or SLOW first). When your filament has run out, just insert the next strand to keep the filament flowing.

It’s better to push the filament from a point on the strand that is close to the pen, otherwise you risk bending and damaging your filament.

If the 3Doodler filament is jammed, there are a few questions you can ask yourself: Are you on the right heat setting? Each filament melts at a specific temperature so if it’s not on the right one it won’t melt. Is there a flashing blue or green light? You may have gone into reverse by mistake, a function that is engaged by double clicking on either FAST or SLOW button. To be on the safe side if you’ve done this, fully reverse the filament out, snip the frayed end of the filament off with a pair of scissors or pliers, and try reinserting it.

4. Should I use FAST or SLOW mode when using the 3Doodler 3D pen?

There is no right or wrong option here, it’s about finding what feels right for you and adapting to the situation.

5. How do I start my 3Doodler 3D pen?

Simply click either FAST or SLOW once to start. To stop, click either button once again. A common mistake is to press and hold the button, which you don’t need to do, as the filament will continually extrude with one click.

Something else to watch out for is that there is a slight delay between pressing a button and the filament extruding. Avoid clicking multiple times as you’ll just be starting and stopping your pen repeatedly.

6. How should I hold the 3Doodler 3D pen?

Hold it like you would a marker pen. You can hover your index finger over the buttons so that you can easily start and stop. Some find it easier to turn it upside down so that the clear filament window is facing up and your thumb is hovering over the buttons. What’s important is that you find a way that suits you.

Hold at a 90-degree angle

You might naturally want to hold the pen at a 45-degree angle and move it at the speed you would with a regular pen or pencil. This can result in an inconsistent texture in the filament. Instead, try holding your 3Doodler at a 90-degree angle so that it’s vertical to the page. This will make sure that the filament extrudes evenly – imagine that you are mimicking a 3D printing machine!

Try experimenting with the speed that you move your hand. The slower you move, the thicker the Doodled line, and therefore the stronger your creation will be.

Test to see the difference between pressing down onto the page, versus hovering slightly above the page. Making contact with the page will give you a more precise line that will stick to the template, whereas having the pen tip hovering will result in a random squiggly effect. Have a look at my Getting Started video for the 7 top techniques on using a 3Doodler 3D pen.

7. How do I change the filament color in my 3Doodler 3D Pen?

There are two ways to change the filament color in your pen. If the filament is sticking out of the feed port, you can reverse the strand and gently pull it out, then load your desired color. If the strand is too short to pull out of the feed port, you can carefully remove the hot nozzle with the mini spanner (be sure to do this with the pen turned on and heated up), engage the reverse function, and insert the unblocking tool through the nozzle end of the pen. This will push the short strand out of the rear of the pen. Then you can replace the nozzle with the mini spanner, being careful not to overtighten it, and load the new strand of filament.

Double-click to reverse strand, then remove

The filament doesn’t need to go to waste! There are a lot of fun things you can make with half a strand of filament. You could even try out these projects to transform leftover filament into beautiful jewelry and decor items!

Don’t try to apply too much force to pull the filament out, as you could end up doing some damage to the pen. Simply double click either the FAST or SLOW button, and the pen will do the hard work for you. Once it’s finished reversing, gently pull out the filament. Watch this video to see how it works.

Reversed filaments may have a wispy ends, which can get tangled up in the mechanism of the pen. It’s important for you to snip it off before re-inserting it into the pen.

8. How do I get rid of mistakes in my 3Doodler art?

Mistakes are bound to happen, even for the most professional Doodlers. The nozzle tip can help you melt away pieces you don’t want on your design. You could also use scissors to create a super accurate edge. They need to be sharp, but don’t use your best sewing scissors as it may blunt them.

9. Why are there wispy strands on my 3Doodler creation, and how do I get rid of them?

You might notice that there are some ‘hairy’ bits on your creation. They can easily be melted away using the nozzle tip, but it’s better if you don’t make them in the first place (unless it’s intended)!

These might be caused by lifting the pen away from your work too quickly. A bit like mozzarella on a pizza! Once you’ve pressed stop, count to three and then pull away. You’ll get a much cleaner finish.

10. Is 3Doodler filament environmentally friendly?

PLA (Poly Lactic Acid) is a eco-friendly type of filament that is made from the starch of plants such as corn, sugar cane or sugar beet. This means that it is environmentally friendly and sustainable. With the right conditions it can take approximately 6-12 months to break down compared to other filaments, which can take hundreds of years.

ABS (Acrylonitrile Butadiene Styrene) can be recycled, but it is not widely accepted by local authorities. Don’t let that stop you, as you can do it yourself at home with a few easy steps!

Read more about 3Doodler’s Filaments Promise here.

The post Top 10 Questions About How to Create 3D Pen Art with 3Doodler Create+ first appeared on 3Doodler.

For two Korean artists, the 3Doodler provided a new way to express themselves through their art.

“If I could have anything in the world, I’d want to stand and walk on my own two feet and dance,” says Kim Hyung-hee. The 47-year-old painter was paralyzed in a traffic accident, and knows just how important art and creative expression can be in aiding in recovery and mental health.

Kim now works as a clinical art therapist, and discovered the 3Doodler as a new way to bring dimension and life into her artwork.

“I drew a three-dimensional flower on canvas,” she says, recalling her first Doodle. “In contrast with common drawing and painting, I can draw everything in new ways, and it’s new to be able to draw in three-dimensional ways.”

Hyung-hee has had private exhibitions of her work, as well as showcased how the 3Doodler can be used as a creative therapeutic aide in festivals and and shows around Korea.

“There are so various and beautiful colors in 3Doodler filaments,” Hyung-hee says, “and I can draw everything in three dimensions and unique ways.”

Weon Jea-hyun is a 27-year-old artist who specializes in kinetic sculpture, focused on combining movement with art.

Jea-hyun was instantly drawn to the 3Doodler and the new possibilities a 3D printing pen could offer.

“The first thing I tried Doodling was my name. It was very strange but awesome that my handwriting was realized into 3D immediately,” Jea-hyun recalls.

As an extension of work from an 2013 solo exhibition titled Observation, Jea-hyun used the 3Doodler to create a layered piece meant to showcase a shift in perspectives.

“People observe each other’s daily life. Someone can observe me, and I also can observe someone,” Jea-hyun explains. “Someone’s routine can be interesting for the other, and this metaphorical change of viewpoints can be a mechanism which assigns variability and interest to routine life.”

Jea-hyun’s own cat was the source of inspiration and the piece shows a layered crowd of attentive felines staring out at the viewer.

“In this work, cats can be interpreted as the projection of people,” Jea-hyun explains. “They observe others—the viewers—but also the viewers observe them—the cats.”

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