For two Korean artists, the 3Doodler provided a new way to express themselves through their art.

“If I could have anything in the world, I’d want to stand and walk on my own two feet and dance,” says Kim Hyung-hee. The 47-year-old painter was paralyzed in a traffic accident, and knows just how important art and creative expression can be in aiding in recovery and mental health.

Kim now works as a clinical art therapist, and discovered the 3Doodler as a new way to bring dimension and life into her artwork.

“I drew a three-dimensional flower on canvas,” she says, recalling her first Doodle. “In contrast with common drawing and painting, I can draw everything in new ways, and it’s new to be able to draw in three-dimensional ways.”

Hyung-hee has had private exhibitions of her work, as well as showcased how the 3Doodler can be used as a creative therapeutic aide in festivals and and shows around Korea.

“There are so various and beautiful colors in 3Doodler filaments,” Hyung-hee says, “and I can draw everything in three dimensions and unique ways.”

Weon Jea-hyun is a 27-year-old artist who specializes in kinetic sculpture, focused on combining movement with art.

Jea-hyun was instantly drawn to the 3Doodler and the new possibilities a 3D printing pen could offer.

“The first thing I tried Doodling was my name. It was very strange but awesome that my handwriting was realized into 3D immediately,” Jea-hyun recalls.

As an extension of work from an 2013 solo exhibition titled Observation, Jea-hyun used the 3Doodler to create a layered piece meant to showcase a shift in perspectives.

“People observe each other’s daily life. Someone can observe me, and I also can observe someone,” Jea-hyun explains. “Someone’s routine can be interesting for the other, and this metaphorical change of viewpoints can be a mechanism which assigns variability and interest to routine life.”

Jea-hyun’s own cat was the source of inspiration and the piece shows a layered crowd of attentive felines staring out at the viewer.

“In this work, cats can be interpreted as the projection of people,” Jea-hyun explains. “They observe others—the viewers—but also the viewers observe them—the cats.”

The post How Two Artists Shared a New Point of View first appeared on 3Doodler.

Barbara Taylor-Harris

“I am often told off in galleries. I always touch everything!” says Barbara. It makes sense. As a sculptor, it’s important to have a good sense of the way things feel and move. “Often the joy and knowledge of art comes from feeling texture, not just looking.”

Barbara’s work is all about texture. “I like people to be able to feel the magic and touch my work,” she says. “I started with watercolor, but I soon found flat paper uninspiring, so I decided to experiment with texture.”

Barbara began experimenting with a variety of materials, and came across the 3Doodler. She found that by creating texture with Doodled additions, her mixed media works of art were able to hold up when curious art admirers want to feel for themselves.

But it wasn’t always so easy to make her Doodled creations a reality. “My first project was a dancer, but I struggled to make it stand up,” Barbara remembers.

As she became more familiar with the 3Doodler, Barbara was able to hone her skills and create larger and more detailed pieces. “My last Doodles were creating magical forests,” she says. “I was exploring the use of supports with the 3Doodler.”

Now Barbara wants to take her mixed media experimentation even further. “I want to create 3Doodled sculptures which are designed to be lit from inside,” she says.

Barbara sees her 3Doodler like a brush or palette knife. “The pen is now another tool and filament relief another material for my paintings,” she says. “In both cases, the 3Doodler allows me to do things I often can’t do or do as easily with traditional materials.”

The post Mixed-Media Masterpieces with Barbara Taylor-Harris first appeared on 3Doodler.