Breathing life into an otherwise static scene is a challenge faced by every designer, architect or engineer in their daily work. “How can I convince my client that this town layout, building, museum or gallery will be enjoyed by real people going about their everyday business? And how can I bring hallways, auditoriums, and city streets to life with little more than an uninhabited scale model?”
To answer this question, Nikka Francisco, undergraduate at the Savannah College of Art and Design and 3Doodler design intern, takes us on a tour of a gallery teeming with Doodled life.
The gallery was created as a part of a course in 3D Design Form & Space, essentially a foundation course in how to think in 3D. The aim of the course is to think in different ways about installations and sculpture, creating models for presentation to others. Students have struggled to show how their ideas would work in reality, which prompted me to think a little differently, adorning the walls with the works of American Artist Alex Grey, and filling the gallery with a series of unique Doodled people.
Most of the time people purchase small sculpted models, but I wanted to make this my own personal work, even the people inside the gallery. The other problem with pre-made sculptures is that you can’t really change them – they are fixed and they aren’t designed for your specific space or experience.
Using the 3Doodler, things happen that you don’t always expect. You can’t always control the way the plastic flows, but that lack of predictability can often be more realistic. In some parts of the gallery it looks like the people are actually in motion, reacting to things, and it gave a better sense of relationship between the person and the artwork they were looking at.
All the right moves and all the right places
I didn’t plan out who would go where at the start. Instead I Doodled a small army of people and then placed them in different parts of the museum, in positions that fit best, moving them around until it felt right. On placing the people inside, it started to feel like an actual gallery, and that the space itself was possible.
You have the two people in the lift peering out through the glass; your typical gallery poses – some people striding by, while others sit and stare at a painting for hours; and then those taking a time out out in the Cafe. Most of the people actually look like they’re dancing!
When I presented the work the reaction was surprise, but positive surprise.